For 2024’s holiday podcast, Gabriela visits with the merry makers behind ‘Rudolph’ at the Center for Puppetry Arts in Atlanta, and Rob chats with critic Bill ...

NEW YORK CITY: Theatre Communications Group (TCG), the national organization for theatre and the publisher of American Theatre, today announced the recipients of the second round of the 2024-25 ...

LONDON & NEW YORK CITY: After 163 years as a leading theatrical and performing arts training operation, the London Academy of Music & Dramatic Art (LAMDA) has announced the opening of new offices and ...

Formerly Making Books Sing, this New York-based company has dedicated itself to creating work by local artists, for local audiences. This episode of OffScript features an interview with James McNeel, ...

Excerpts from a tribute to the path-breaking director’s unique career in the theatre. A.L. Rowse cannot ruin the unique grace and style of Shakespeare’s language; but he taints it more than a little.

The most pressing issue confronting the American theatre today is the relationship between the institutions and the artists that develop the work.

New ventures in Denver, Detroit, and New York City, a close call for St. Paul’s Penumbra, an Al Hirschfeld exhibit, and more.

A new collection of criticism ranges from infuriating to perceptive, banal to brilliant.

What a mystery it is that these tiny and ever-shrinking dramacules—these death rattles—can bring so much life to the theatre.